Pollitt, a “sexuality educator, researcher, and activist” whose courses cover “sexual and erotic agency,” “LGBTQIA civil rights” and the “intersection of sex, law and policy,” claimed the high number of dislikes amassed by the film’s trailer is due to the public’s uneasiness with powerful women, “especially women of color.”<\/p>\n
“This is because femininity is often seen as frivolous or not powerful,” Pollitt said. “Many folks who disliked the trailer made accusations that reflected common tropes that assume women are emotionally hysterical, fragile and incapable of making important decisions.”<\/p>\n
MORE:<\/strong> Professor worries Marvel\u2019s \u2018Atlantis\u2019 will use cultural appropriation, colonial racism<\/a><\/p>\n Right now The College Fix<\/em> has a back-to-school campaign to help us continue to support our amazing student journalists. A donation today<\/a><\/span> will be matched thanks to a generous limited-time matching gift opportunity from a friend of The Fix<\/em>! CLICK HERE<\/a><\/span> for more details — and thank you!<\/strong><\/span><\/p>\n Pollitt’s comments belie women-led films like those in the successful “Alien” franchise (starring Sigourney Weaver, Noomi Rapace, Katherine Waterston), “The Terminator” series (Linda Hamilton and Emilia Clarke as Sarah Connor) and “Crouching Tiger, Hidden Dragon (Michelle Yeoh, Zhang Ziyi) among others.<\/p>\n And despite Pollitt’s delight over DaCosta’s role in the film, the director herself stated recently<\/a> that “The Marvels” is “a [Marvel Studios President] Kevin Feige production, it\u2019s his movie.”<\/p>\n “I think you live in that reality, but I tried to go in with the knowledge that some of you is going to take a back seat,\u201d she said.<\/p>\n Welbeck, a Council on American-Islamic Relations lawyer<\/a> and director of Temple’s Center for Anti-Racism who once expressed “outrage”<\/a> that a judge had “Proud to be an American” as his phone’s ringtone, said given the success of “Captain Marvel” (over $1 billion in worldwide box office receipts), “The Marvels” should make a decent amount of cash.<\/p>\n Welbeck noted that films released earlier this year — “Barbie,” “The Super Mario Bros” and “Spider-Man: Across the Spiderverse” did well, as did “The Little Mermaid” — despite “a significant racist backlash to the casting of Halle Bailey” as Ariel.<\/p>\n The popular entertainment news site Screen Rant<\/em><\/a> points out, however, that the latest Marvel offerings have been “going through a rough patch […] due to faulty CGI, uneven stories, poor pacing, and an over-reliance on the famous Marvel formula.” These include “Eternals,” “Ant-Man and the Wasp: Quantumania” and “Secret Invasion.”<\/p>\n Not to mention, there have been 32<\/em> films set in the MCU.<\/p>\n Chances are if a film is made to check off certain demographic boxes over the telling of a good and compelling story, it will not perform well in the theaters.<\/p>\n MORE:<\/strong> Scholars argue Disney\u2019s \u2018Zombies\u2019 movies promote white supremacy<\/a><\/p>\n IMAGES: DiscussingFilm\/X; Temple U.<\/p>\n ![\"Jennifer](\"https:\/\/liberalarts.temple.edu\/sites\/liberalarts\/files\/styles\/tu_is_event_thumb\/public\/tu-people\/jenniferpollitt.jpg?itok=zDTABWu5\")
Pollitt (pictured) <\/em>added that “women embodying their own power can feel threatening to traditional masculinity because it\u2019s been primarily constructed in opposition to femininity. Traditional masculinity is whatever femininity isn\u2019t.”<\/p>\n